Products

Johann Wilhelm Oberlender lived and worked between 1681 and 1745 in Nuremburg. Just like J. Denner, he was one of the most famous German flute makers of this period, proof of which, is the number of flutes that still survive today. One particularly fine and unique example is to be...

Many copies of Baroque recorders are made to play at modern pitch rather than their original low pitch and therefore lose a lot of their character. Martin Wenner's Anciuti instrument is based on an original Anciuti recorder that plays at the higher Chorton pitch of a=440 Hz. The Wenner model,...

This  bass viola da gamba is modeled after an original by English luthier John Rose. It is available with 6 or 7 strings. String length is 73cm.  This instrument comes with a soft padded case that has external pockets for bow and music. All Charlie Ogle instruments are made in...

This six-string. bass viola da gamba is modeled after John Rose's original Victoria and Albert viol. String length is 73cm. It has a warm, round sound. Standard: figured maple back and sides, spruce top Deluxe: figured maple back and sides, spruce top, ebony fingerboard and tailpiece, decorative purfling This instrument...

These versatile, Renaissance-era instruments are based on original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and sound have been carefully matched, making...

These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and...

 These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning...

These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and...

These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and...

These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and...

These versatile, Renaissance-era instruments are Hieronymus F. Kynseker (Nuremberg, 1636-1686) based on the original instruments by Hieronymus F. Kynseker (1636-1686) kept at the Germanic National Museum in Nuremberg. Mollenhauer's Kynseker ensemble instruments remain faithful to the most important characteristics of the originals: their aesthetics form, volume, and strong, distinctive sound. Tuning and...

This model is crafted after Nicholas Bertrand's 1720 bass viol, and is larger than the 1704 Bertrand model. It is ideal for solos, but it also plays well as a continuo instrument. It features a high-quality, fine-grain wood with a thick, glossy finish and ornate decorative purfling on the belly,...

This Lu-Mi Baroque viola is modeled after a 1580 original by Gasparo da Salo (1542-1609), one of the earliest violin makers. Da Salo's violas are still considered among the best ever made, and modern copies are often sought after by professional players. This is a slightly larger version of Lu-Mi's small da...

This Lu-Mi treble viol is modeled after a 1609 original by John Hoskins. It is the larger of the two Lu-Mi treble viol models. It is ideal for playing with all gut strings. The plain model features good-quality, aged wood, a matte finished, and minimal decorative purfling around the edges of...

Founded by Australian violinist Andrew Baker and his wife Emma, Leatherwood Bespoke Rosin provides a wide range of handcrafted rosins to suit any string player. With the "Baroque Range" rosins, gut string players now have a rosin designed to work with them.  Specially formulated for gut strings, the gentle but...

This is a copy of an 1830 original by Cole Louis Panormo, the premier builder of guitars "in the Spanish style". Bernie Lehmann's model is made of prime Brazilian rosewood veneers for the sides and back and constructed just like many early guitars - both for strength and beauty. The top...

Despite much painstaking effort, Martin Wenner was unable to find an original piccolo that would be suitable as a model for a well-functioning instrument tuned at today's common pitches (a=430Hz to a=415 Hz). For this reason, Wenner's piccolo is a unique three-piece model, although it corresponds to the preserved original piccolos as...

MARSYAS recorders are characterized by a colorful sound (even with gentle blowing pressure) and the effortless response of the high register. Its sound is elegant, fine, singing and sweet. A "flauto dolce" in the truest sense of the word. The alto MARSYAS have a sound spectrum that ranges from warm...

MARSYAS recorders are characterized by a colorful sound (even with gentle blowing pressure) and the effortless response of the high register. Its sound is elegant, fine, singing and sweet. A "flauto dolce" in the truest sense of the word. The sopranos MARSYAS have astonishing flexibility and strength in their sound....

MARSYAS recorders are characterized by a colorful sound (even with gentle blowing pressure) and the effortless response of the high register. Its sound is elegant, fine, singing and sweet. A "flauto dolce" in the truest sense of the word. The MARSYAS tenors have a bearing and sonorous sound. The bottom...