Martin Wenner

Carlo Palanca was an active bassoon player and instrument maker in Turin in the 1700s. Martin Wenner's Palanca flute is based on an original from a private collection in Frankfurt. In contrast to many other Baroque flutes, his instrument has an oval embouchure, giving it a more powerful sound. The...

Pierre Gabriel Buffardin (ca. 1690-1768) was one of the most famous flutists of his time and a pioneer of the transverse flute in Germany. From 1715 to 1749, he was the first flutist of the Dresden Hofkapelle, one of the best and most famous orchestras of the time. Buffardin was...

This Martin Wenner classic flute is modelled on a flute by August Grenser, who was a famous flute-maker from Dresden. Constructed around 1790, the original can be found in a private collection in the north of Germany. It is made of ebony and has four interchangeable joints playing at the...

Jan Steenbergen (1676-1752) worked in the first half of the 18th century in Amsterdam as a manufacturer of woodwind instruments, particularly oboes and recorders. A beautifully crafted and well-preserved Steenbergen recorder can be found in the collection of F. Bruggen, who also used it in his recordings. Martin Wenner's handmade...

Although there are several original Godfridus Adrianus Rottenburgh (Brussels, mid 18th century) flutes still surviving today, the one that is most often copied is owned by Barthold Kuijken, who has used it for many concerts and recordings. The original flute is made of boxwood which has been stained and treated...

These varnished beech plywood case with simple brass latches and hinges are made by the St. Pirmin workshop for disabled people in Singen, Germany. They are suitable for the following Wenner models: C. Palanca G.A. Rottenburgh Oberlender Single-keyed Grenser

The cylindrically-bored Renaissance flute was employed both as an ensemble and a soloist instrument between the beginning of the 16th century and about 1680. The most common size was the tenor flute in D, with which experienced players could easily play a tonal range of three octaves. The original instruments...

The cylindrically-bored Renaissance flute was employed both as an ensemble and a soloist instrument between the beginning of the 16th century and about 1680. The most common size was the tenor flute in D, with which experienced players could easily play a tonal range of three octaves. The original instruments...

Joannes Hyacynthus Rottenburgh worked at the beginning of the 18th century in Brussels where he made recorders, oboes and other woodwind instruments in addition to transverse flutes. Together with his son, Godfridus Adrianus, he achieved an excellent reputation in the first half of the 18th century. His instruments are kept...

The Denner family was one of Europe's most important and well-known woodwind instrument makers of the 18th century. Originals of their famous recorders are widely copied by many instrument makers. This tenor recorder was made by Johann Christoph Denner at the beginning of the 18th century, probably as a Tenor...

Engelbert Terton (1676-1752) was one the most famous recorder makers of early 18th century Holland. His original soprano C recorder is extremely beautiful and can be found in the collection of the Hague's Gemeentemuseum. It is made of stained boxwood and decorated with lovely engraved openwork silver rings.  Martin Wenner's...

Pierre Jaillard Bressan (1663-1731) moved from France to England in 1688 and established himself in London, where he mainly made recorders. His instruments tended to have thick ivory mounts which he added on to his recorders after applying the golden ratio to cut them. Preserved original Bressan recorders can be...

Thomas Stanesby, Junior, (1692-1754) worked in London and achieved great fame and standing in his day through the manufacturing of the finest woodwind instruments. Many of his instruments are preserved in museums and private collections all over the world. An excellently preserved and wonderfully playable recorder is privately owned in...

Johann Joachim Quantz (1697-1773) was probably the best-known flute player of the 18th century. His fame is due not only to his compositions and his book On Playing the Flute (1752), but also to the fact that he was the flute teacher of Frederick the Great of Prussia. In 1739...

The design of this three-joint, single-keyed instrument is attributed to the Hotteterre family, who were famous for their development of instruments and their playing techniques in the mid 17th century. Its deep-toned and warm sound is ideal for early French Baroque repertoire. Martin Wenner's Hotteterre flute is based on an...

The cylindrically-bored Renaissance flute was employed both as an ensemble and a soloist instrument between the beginning of the 16th century and about 1680. The most common size was the tenor flute in D, with which experienced players could easily play a tonal range of three octaves. The original instruments...